Malevich teaches students to abandon representation and venture into radical abstraction in 1917.

In 1919, Malevich writes about new systems in art, applying Suprematist principles to the new state order.

Malevich joins the faculty in Vitebsk, where he forms the group UNOVIS, promoting collective art without individual signatures.

UNOVIS creates propaganda posters, textiles, ceramics, and street decorations, much like the Bauhaus School.

Malevich's Suprematist ideas are expressed in architectural models for utopian cities, called Architectona.

But Malevich's work was suppressed in Soviet Russia, and he was eventually arrested and questioned about his politics.

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