
Analysis of the Music Águas de Março - Tom Jobim
Analysis of the Music Águas de Março - Tom Jobim
(Sem Penalidade CLS)
Águas de Março, besides being one of the most iconic songs in Brazilian popular music, also has a curious history linked to the construction of Tom Jobim's house, get to know the whole story.
During the construction of his house in Poço Fundo, Tom Jobim wanted to change the project, so that the floor height of the ground floor could be higher. This caused a problem, as the architect and designer had to redo the calculations and the project. As a result, the work was delayed and the house was not finished in February, before the start of the March rains.
(Sem Penalidade CLS)
It was in this scenario of the sound of the water, of the problems, of the waiting, of the repetitive anxiety, that Tom, according to himself, was taking notes on a "paper of bread" (a common paper that wrapped bread bought at bakeries before the current bags), scribbling, rewriting, looking for sounds, rhythm, harmony and words.
In this manuscript, it is possible to perceive the verses written, with additions, substitutions, discarded words or entire phrases.
According to the author, this is a simple and single work, but it is very complex due to the harmonic variation for few notes, the continuous rhythm of the rain, the lyrics that describe the movement of the water down the hill.
The loneliness of waiting for the rain to decrease to continue the work. The flood that descends the hill, carrying wood and stone.
The little sun that shines through the wet glass, the night that arrives without the rain going away.
The conversation on the riverbank, the fishing, the waiting, amidst images of trees, of the stump, of the knot of the wood.
The song of the matita-perê bird, the wind, the size of the embankment.
The beams of the house, the image of the void, the waiting for the roof party (when the roof is finished, a barrel of beer is celebrated).
Everything for the house project, the promise of life in the heart.
The friends of a traditional Carioca bar were the first to hear the song, sung by Tom Jobim on the guitar.
In 1974, a new version was recorded on the album “Elis and Tom”.
The duet between the "pimentinha", a nickname created by the poet Vinícius de Moraes, and the maestro immortalized the song.
Metaphorically, "Águas de Março" speaks of the rains at the end of summer as a symbol of the renewal of life.
A research done by a São Paulo newspaper in 2001, with journalists, musicians and artists from all over Brazil, elected Águas de Março, composed in 1972, as the best Brazilian song of all time.
Águas de Março is a classic of Brazilian popular music.
But the story has a bizarre detail:
Tom Jobim was born on January 25, 1927, in Rio de Janeiro and died in New York on December 8, 1994.
More known by his artistic name Tom Jobim, he was a composer, maestro, pianist, singer, arranger and Brazilian violonist.

Tom Jobim was one of the main names of Brazilian popular music in the 20th century.
His legacy continues to this day.
Águas de Março is a song that transcends time and space.
It is a song that speaks of life, death, renewal and hope.
Tom Jobim was an artist who left an unforgettable legacy.
His name is synonymous with quality and creativity.
It is a name that is part of the history of Brazilian popular music.
Águas de Março is a song that is a masterpiece of Brazilian popular music.
It is a song that is a true work of art.
Tom Jobim was an artist who went beyond the boundaries of music.
He was an artist who was a visionary.
Águas de Março is a song that is a celebration of life.
It is a song that is a celebration of music.
Tom Jobim was an artist who was a master of music.
He was an artist who was a master of life.
Tom Jobim was an artist who left an unforgettable legacy.
His name is synonymous with quality and creativity.
It is a name that is part of the history of Brazilian popular music.
Águas de Março is a song that is a masterpiece of Brazilian popular music.
It is a song that is a true work of art.
Tom Jobim was an artist who went beyond the boundaries of music.
He was an artist who was a visionary.
Águas de Março is a song that is a celebration of life.
It is a song that is a celebration of music.
Tom Jobim was an artist who was a master of music.
He was an artist who was a master of life.
Antonio Carlos Brasileiro de Almeida Jobim, was born on January 25, 1927, in Rio de Janeiro and died in — New York on December 8, 1994.
More known by his artistic name Tom Jobim, he was a composer, maestro, pianist, singer, arranger and Brazilian violonist.

More known by his artistic name Tom Jobim, he was a composer, maestro, pianist, singer, arranger and Brazilian violonist.
(Sem Penalidade CLS)









